Death Metal MusicMusic and Culture on the Edge

It takes a lot of balls to put the music you play right in your name: sometimes it works (see: Death) and sometimes it doesn’t (see: the Rockstar Mayhem Festival, which confusingly decides not to include the black metal band with whom they share a name in its roster year after year, or even Methods of Mayhem). Novembers Doom claim ownership of the necessary balls, though: they’re slow, menacing, classy doom metal with a well-integrated melodeth twist, managing to pique interest even in their mos

BALEYYG interview by TheeBradMillerBALEYYG (aka Nic Le Ban) is the performing name for a reclusive avant-garde, accomplished guitarist and frequent Jarboe collaborator. While BALEYYG’s (pronounced BAAL’YEH’GAH) discography provides an eclectic mix of styles (check out the heavy guitar work on Jarboe’s “Stream Enterer” series and then listen to the more folk/avant garde style on “Knight Of Swords / The Beggar”) his new material promises to go further into the darkness exploring “Death/Doom Meta

Anathema - Serenades (1993) [FLAC] INFO: Death/Doom Metal Tracklist: 01. Lovelorn Rhapsody 6:24 02. Sweet Tears 4:14 03. J'Ai Fait une Promesse 2:40 04. They (Will Always) Die 7:15 05. Sleepless 4:12 06. Sleep in Sanity 6:52 07. Scars of the Old Stream 1:10 08. Under a Veil (Of Black Lace) 7:34 09. Where Shadows Dance 1:57 10. Dreaming the Romance 23:23 Release Date: 01 Jan, 1993 REVIEW: Quote: Summary: Anathema's Doom Metal peak, and also on

Dolorian - Blue Unknown Even if the album isn’t near what I had expected it to be, I’m still amazed. If When All The Laughter Has Gone was a step into a new direction of doom metal, then this is a leap. You could draw similarities to other bands in death/doom, black metal and ambient, but no bands sound even close to this. All in all the music has gone from black/doom to being ambient doom. They have also added a lot of industrial elements to their ambient part of the music. Actually some of